The book’s theoretical framework is complemented by the exploration of a series of empirical cases that remain largely underexamined by the academic community. The examined case studies include, firstly, attempts of decentering mega-institutions, such as the critically acclaimed international art exhibition documenta 14, which was split between Athens/Greece and Kassel/Germany and foregrounded decolonial narratives, racial struggles, Indigenous rights, transgender identities, and minor histories from the periphery. Secondly, endeavours of inventing flexible and decentralised organisational arrangements and educational platforms in Athens/Greece, Paris/France, Bochum/Germany, and Glasgow/Scotland that introduce novel parliamentary formats, decision-making processes, architectural tools, and performative methodologies. All these artistic organisations and cultural infrastructures share the impetus not only to disseminate knowledge through new communication technologies and to prioritise those who have been rendered socially invisible, but most importantly, to reveal policy failures and potential pathways for reform. And, finally, modes of critical engagement with solidified institutional structures, such as artistic activist initiatives at the Whitney Museum of American Art in New York, that set out to scrutinise museums’ ethics, streams of funding, and principles of governance. Alluding to a broader crisis of legitimacy that major museums are faced with today, such interventions attempt to hold museums, institutions, and non-profit organisations accountable to their own mission statements and the communities they claim to serve.