Cities of Tomorrow
Nissos Academic Publications, 2023
Cities are the pre-eminent loci where historical memory is recorded, social interactions unfold, and visions of the future are articulated. It is no coincidence that they encapsulate both the social challenges and the demands of each era. On the one hand, cities reflect a people’s identity over time and, on the other, in recent years especially, they are hubs of multiculturalism, providing the backdrop for the formation of attitudes, collective practices, and ethical and aesthetic perceptions. A number of thinkers have highlighted the social, ethical, pedagogical, aesthetic and ideological role of the urban environment. For instance, for Martin Heidegger ‘dwelling’ is one of the most fundamental manifestations of ‘being’, Sigfried Giedion assigns architecture with the ‘task’ to interpret a way of contemporary life, and Karsten Harries underlines the ethical responsibility of architecture to forge communal bonds. At any rate, the question of which city we ultimately desire is inseparable from who we aspire to be, which form of social relationships we appreciate, what kind of relationship with nature we aspire to have, and which values we hold.
On the other hand, the intense urbanisation, the increased migration flows and population mobility, and a generalised economic, environmental and energy crisis have radically changed the dynamics of metropolitan cities. Indeed, today’s urban centres are plagued not only by an unprecedented housing crisis and new forms of inequality, but also by social polarisation, divisive rhetoric, and racist and gender-based forms of violence. The ongoing shrinkage of the urban public sphere, the enclosing and privatisation of spaces previously used and understood collectively,5 unregulated development, the plundering of the natural environment, and the degradation of public infrastructure have caused the erosion of urban ecosystems and social welfare safety valves. At the same time, the recent coronavirus pandemic and consequent remote working conditions have witnessed the disintegration of physical spaces and the virtual mediation of civic life, while providing impetus to claims for universal access to public spaces and a more meaningful participation of the citizen in the public sphere.
From this perspective, what are the current opportunities and greatest challenges or limitations in the urban experience of the local community? Can phenomena of social exclusion be addressed through spatial tools? In what ways can urban centres become more sustainable in an era of climate crisis and overpopulation? How can public space be re-appropriated, how can the experience of the city be enriched, and how can the continuation of the collective memory of its inhabitants be ensured? Taking these questions into account and on the occasion of World Cities Day on October 31, 2022, the City of Athens, with the support of the United Nations Regional Information Centre and the Eurocities network, extended an open call to artists, architects, graphic designers, and other creators to submit proposals on how they imagine their city in the future.
The 42 works that were selected by the evaluation committee went on public display in an outdoor exhibition on the panels of Vasilisis Olgas Avenue from October 31 to mid-December 2022. Following the exhibition, this publication attempts to document the artists’ proposals along with the supplementary texts they provided, serving as a real-time investigation of how we perceive and how we could reinvent the city in terms of art, creativity and community. The artworks cover a wide creative spectrum; they are hypothetical, descriptive, exploratory, provocative, critical, and reflective proposals.
Some of them present a dystopian urban future, with dividing fences, gated communities, mass surveillance systems, and labyrinthine networks. Cities where the micro-scale of intimacy has been replaced by polished high-rise buildings, ideal for a culture of narcissism, individualism and alienation. Non-sustainable models of urban development, whereby the rampant tourism has transformed cities into huge tourist resorts and adapted infrastructures to serve temporary visitors exclusively. Lifeless urban landscapes due to the draining of natural resources and the overconsumption that have inevitably led to environmental destruction, and the Acropolis in flames, featured in one of the artworks, serving as commentary on the impact of climate change.
Other proposals adopt a more realistic approach, putting forward modifications to existing spaces, for both prioritising their accessibility and sustainability and addressing the aesthetic requirements of their users. Multifunctional benches, participatory design projects, outdoor architectural installations, new forms of pedestrianisation, and advanced technology tools are all presented as feasible and pragmatic ways of improving the urban environment and reinventing public space. Interventions which propose spaces for promenade, rest, and contemplation, ways to reconnect with nature, and de-stressing havens for residents, as a counterbalance to the exhausting pace of urban life.
Finally, there are proposals that articulate a utopian vision, which prioritise respecting the ‘tolerance’ of the place, promoting freedom of expression and the solidarity of community life. Against the alienation of mass urbanisation and the anonymity of the crowd, they imagine urban landscapes as lived, welcoming, and extroverted. Spaces that, despite the widespread suspiciousness of the times, invite communal living and sharing practices, collective bonds, and gestures of good neighbourliness. Cities which rise from their ashes, redefining their relationship with the natural and man-made landscape, raw materials, traditions, and cultural heritage without sacrificing their inhabitants’ needs to unchecked profiteering. Proposals which envisage the city as the domain of the commons par excellence, allowing the coexistence and reconciliation of its inhabitants, accommodating alterity, and welcoming the foreign, the newcomer, even alien life.
Regardless of the positions advocated by the proposals collected here, we deemed their compilation a challenge – not only in terms of the possibility of certain ones being realised at some point, but also as an opportunity for contemplation. This is particularly relevant as urban centres are undergoing transformations due to citizens’ increasing need for mobility, the effects of climate change, and the rapid developments brought about by technology across various aspects of modern life.
The shared concerns threaded through the proposals of this publication serve as a reminder that ultimately the ‘right to the city’ goes beyond isolated matters of urban design and individual rights to access housing, infrastructure, and resources. It pertains to a broader democratic stake: the collective right of citizens to decide on matters concerning them, reshaping their city as they envision and desire it.
We therefore invite you to ponder, together with the participating artists, what the cities of tomorrow will look like and how you envisage your own tomorrow within the city.
The book can be ordered here.
Edited by: Katerina Koskina & Konstantinos Pittas
Published by: Nissos Academic Publishing
Publication year: 2023
Graphic design & printing: Macart
Organised by: The City of Athens
With the support of: United Nations Regional Information Centre and the Eurocities network.
Participating artists:
Stella Ampatzi, Eva Andronikidou, Malvina Apostolou & Despoina Korentini, Leukothea Arvanitaki, Fotios Balas, Chara Bogiatzi, Clio-Georgia Chatzaki & Stefanos Gkoutzoupas (M.E. Architects), Nikolaos Chinaris, Metacities Creative Team, Sofia Dalamagka, Laoura Daskali, Toma Design Studio, John Dimopoulos, Konstantinos Dimopoulos, Valentina Farantouri, Georgia Giannopoulou, Pavlos Habidis, Manolis Iliakis (YOLKSTUDIO), Helene Kamargiaris, Evelina Karatziou, Christophoros Katsadiotis, The Krah, Marina Lafazani, Nikos Lagos, Aleka Lampiri (Alcia), Marios Louridas, Olga Maragou, Ioannis Markakis, Antigone Michalakopoulou, Vasilis Nikakis, Nikoletta Pana, Eleftheria Papadouraki, Konstantinos Papamichalopoulos, Vasiliki Spyrou, Dimitra Stavropoulou, Point Supreme architects, Tolis Tatolas, Amarildo Topallis, Eftychia Tsoulouchopoulou, Elina Varouxaki, Alexandros Vitzilaios & Anastasia Topalian, Maria Vlasseros